2021

Mixed media, dimensions variable

複合媒材，尺寸依場地而定

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共同創作者：高哲淯、廖婉凌、葉志翔

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The two-way transmission between virtual and reality.
The seemingly close but detached relationship is accompanied by more uncertainty and anxiety.
The following questions have been raised in the context of this transition:
In what capacity should people enter the virtual world?
Is it necessary to reposition the body in reality now?
Is it safe to achieve a state of egolessness and unity in the digital vision?
Do manipulation and real-time transmission form a communal relationship?
We open ourselves again to the questioning of our own body and use the physical body as a test to find the cooperation between us.

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In the face of ontological changes, an understanding of the new media constitution has led to a certain kind of epistemological discussion. However, is it possible to approach it in a more open way? And to form a larger spiritual container for communication? To do so, we are constructing a huge stage.

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The information exchanged between the body and the object is transformed into a more intuitive contact with the physical body for transmission, and the thoughts of the self in the process of transition are built up together with the external collaborators through verbal conversation, physical behavior, etc. (the concept of communion). By manipulating and transmitting in real-time, but at the same time being dismantled, the process is to find out the improvised relationship between each other. The mental imagery of the staircase scene is a hypothetical landscape of transmissions, events, and intimate and public nodes, which is then set against a background of sensory shifts attached to the scene, and in general, contributes to the inevitable conditions for the recovery of one's own existence.

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The possibility of the digital media as an ontology is a modern inducement to think about how to reconnect the media with oneself, or to form a more intuitive and familiar epistemological path, to dismantle the media of the times, to leave it to the body's intuition, to touch and integrate the broken sensory experiences, to see it as being in a huge flood, and to open the imagination of a new way of knowing.

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游移虛擬與現實的雙向傳遞，

看似緊密卻又疏離，伴隨而來的是更多的不確定性以及不安。

並就此過渡帶擷取其中資訊,提出以下幾個問題:

人該以何種身份進入虛擬世界?

是否需要重新定位現在當下處於現實的身體?

對於數位視界是否達到無我、合一的狀態才是安全的?

操控與即時傳輸是否形成共體關係？

再次開啟自身對本體的質疑,藉由肉體做為驗證找出彼此間的合作關係。

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面對本體構成的轉變，一場對於新媒介構成的認識 ，形成了某種顯學性的討論。然而是否能以更多開放式的面向來切入？以及形成更大可以交流的精神容器？為此我們構築一場巨大的舞台。

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將本體與客體交流的訊息，轉化爲肉身更直覺性的接觸進行傳輸，把游渡過程中當下自我想法, 透過口語交談、肢體行為等方式和外部協作者共同搭建出來（共體概念），演出以表演者在重新適應,與感受這段熟悉卻陌生的過渡。藉由操控 、即時傳輸，但同時卻又被拆解，過程中去找出彼此的即興關係。而樓梯場域的精神意象由傳輸、事件、私密、公開等節點匯聚出的假想景觀，再經由依附於場域上使人感官移動的暗示作為背景 ，總體更像促成找回自身存在的必然條件。

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數位傳播媒介作為本體的可能，是現代誘發人去思考,如何去重新認識媒介，與自身關係的體現，或形成更直覺熟悉認識論的圖徑，將時代中的媒介進行拆解，交由身體的直覺，接觸和交融當中破碎的感官經驗，視為彼時置身巨大洪流，開啟新的認識方法之想像。